Album Reviews: Greenin’ Up
David Mallett’s been an indomitable presence on the folk scene for several years now, and while he’s occasionally strayed into more Americana realms, he never sounded more at home than he does on Greenin’ Up, a genuine tribute to his rural routes. While most of the songs suggest he’s celebrating life in the great American heartland, it’s more than a primer about the family farm, although the proceeds are intended for the Maine Farmland Trust. Several songs rank among the best he’s ever offered, among them “Fat of the Land,” “Aurora Borealis” and the sweetly sentimental “Summer of My Dreams.” Likewise, most of the material — “I Knew This Place,” “Garden Place” and “Dog & Horses” being prime examples — sound like they’re plucked from a traditional template. Happily then, Mallett’s undeniable charm makes it all sound fresh and vibrant. As befitting the cause, he gives ample support from his family members, including Will Mallett on banjo and guitar and Luke and Molly Mallett singing some lovely, lilting backing vocals. Greenin’ Up couldn’t be a more appropriate title, given that this is the sunniest collection to come along in quite awhile.
Album Reviews: Alright Now
Boston.com Album Review
Maine-based David Mallett is one of the most underrated folkies of our time. He’s best known for his ecological “Garden Song,” recorded by Pete Seeger, John Denver, and Arlo Guthrie. But Mallett has made a slew of great albums, from early discs produced by Peter, Paul & Mary’s Noel Paul Stookey to this latest, a masterpiece worthy of the sly old fox that he is. Mallett’s voice, which echoes the troubadour side of Gordon Lightfoot and the utter honesty of Guy Clark, is most adept at addressing the passage of time. “As you grow old/ Just stay in a place in your mind like a tune from an innocent time,” he sings on one jangly, Byrds-inspired tune. The band arrangements have an easy lope to them, but also a twangy guitar bite, as in the gutbucket folk-blues sound of “Ten Men.” He gets topical on the “End of the Day” (questioning the “information-cluttered” digital world) and in the thought-provoking “North Meets South,” about the hope stemming from Barack Obama’s inauguration. Mallet, 58, is a keen, sharp-eyed observer, whether he’s addressing the pitfalls of life (“Dark Side of the Moon”) or the joy of a newborn child on “Beautiful.” This is an exquisite, ennobling record, made by a terrific craftsman.
- Steve Morse
David’s definitively smooth voice consistently carries with it through numerous tales from song to song throughout the album – it’s smooth clear concise and of course very well written. But moreover, it’s really real music in it’s truest form…the truest form ever imaginable…
…For over four decades, this Americana Musician has produced a dozen albums and with each release tending to over shadow the previous. This tune master seems to literally thrive within the mist of music, melody, and song. David Mallett has once again taken his craft to a higher level and this time, has included almost an intimate look into his very being with his Alright Now album.
David Mallett’s New Album is a Tour de Force of Songwriting and Emotions: Alright Now
It is always a major event when David Mallett releases a new album … and such is the case with his latest: “Alright Now” (North Road Records, 2009) which is his 14th in a career that spans four decades; it is, also, his first album of original material in over 6 years and the ten tracks are among the best he’s ever penned!
“Maine folk singer David Mallett makes good music sound easy. He entered the recording studio with a guitar and a batch of songs, and he came out with one of the year’s best records. Like Mallett’s native state, ‘Artist in Me’ is free of frills. He simply sings about angels and backaches, falling stars and fear, dancing and death and other things that comfort and confound us. The arrangements are understated but catchy, with hooks provided by a bass line here and a harmonica riff there. At the center is Mallett’s tenor,, warm and friendly and deserving of our attention.”
- Steve Wine, Associated Press
Album Reviews: Artist in Me
The acclaimed bard of rural Maine and composer of the modern folk standard “The Garden Song,” David Mallett delivers another set of reflective ballads and easyrocking Americana. Set mostly to sparse, guitar-anchored acoustic string-band accompaniment that vividly evokes his small-town New England milieu, Mallet’s quietly authoritative vocals and astute observations about life’s unexpected twists and gnawing inevitabilities convey a world of universal truths. The title song, “Didn’t Nobody Teach You,” “Strange Life,” “The Wind Is on the Water,” and “Livin’ on the Edge” pack the plainspoken poetic power of this consistently on-the-money songwriter’s best work.
- Mike Thomas, Acoustic Guitar Magazine
He harks back to the earnest ambitions and heartfelt melodies of Willie Nelson and Johnny Cash, singing with the conviction that folk can still be heroic. David Mallet has a lustrous, melancholy voice that both engages and lulls the listener, never stretching too high or too low but always staying comfortable and believable.
- The New York Times
Mallett has made his career as the consummate fo d artist. He’s from the Northeast, he plays a guitar, he makes he circuit of folk festivals, his songs get covered here and there, and success and the lack have not caused him to stray from the path. The thing that really sets him apart from the pack is that he always delivers the goods. No one album is quite the same. Except that they are all good. This latest finds him kicking back and keeping the sound stripped down to the point where the songs really do speak for themselves. This intimate approach is perfect for his warm voice and subtle melodies. A great album for these cold evenings.
- Village Records
Folksinger Mallett A Hit At First Church
Unlike many of his peers, Mallett avoids the cliche in both his lyrics and his music. With a subtle wit, a passion for the ordinary, and a knack for the poignant phrase, the Maine native is a weaver of songs which tap the heart of small-town life and stir a universal chord within his audience.
In a performance at First Congregational Church in New Britain Saturday night, Mallett was in complete control of both his material and his audience. Traditional crowd-pleasers such as “This Little Town” and “Moon Upon the Left,” had the audience of about 200 stomping their feet and singing along.
- Glenn Smith, The Herald New Britain, CT
Mallett, Raneri display craft at Egg
ALBANY – Singer-songwriters David Mallett and Rosanne Raneri both have gifts greater than their fame. Reclusive veteran Mallett is better known as writer than singer since many country stars sing his songs, and his visit to the Egg Saturday was only his second Albany gig in a 30-year career.
Dave Mallett was first on stage at 8:45 pm and was making his debut performance here. It was also his first visit to London and indeed this country and he said he had never seen a place so big; in his own words “its a hell of a friggin’ big town”. The man himself may not be that well known over here but his music most certainly is having been recorded by some of the best in the business, songs like “Summer Of My Dreams” by Kathy Mattea and “Old Soldiers” and “Daddy’s Oldsmobile” both recorded by Hal Ketchum, the latter song also being co-written by him.
A creative writer, Dave has the ability to capture life in his songs and as a singer he has that ability to add those same feelings to his voice. His was a powerful and meaningful performance that left us yelling for more and more but with another artist to follow this was not to be and we had to be content. Lets hope we shall see a lot more of him in the future, he is certainly worth listening to.
- Country Music News & Routes, London
From the time he was 11 and appeared on Bangor’s fledgling Channel 7 with his older brother, singer/songwriter David Mallett knew he was “destined to be a professional musician.” Over the last 40-odd years, that’s exactly what he’s been. Mallett has performed in every major venue in the state and almost every minor one, as well as toured the country, north to south and east to west, every single year – building a loyal fan base that rated his last album, Artist in Me, Folkwax’s Album of the Year, over Emmylou Harris and Rosanne Cash.
Billboard Country Album Reviews
Dave Mallett, For A Lifetime
In this gallery of his own songs, Mallet. melodically reflects on matters great (“My Old Man … .. Some Peace Will Come”) and small (“Night On The Town,” “Hometown Girls”). Pure folk poetry.
David Mallett…An Evening To Treasure
It takes total commitment to one’s artistry to travel the clubs and coffeehouses of America today, armed only with a guitar, harmonica and a memory bank full of great original songs. Thank goodness Mallett is a true believer.
With a guitar technique all the more impressive for’ its understatement, and a voice that’s both wonderfully rich and weather-worn, Mallett had an immediately engaging stage presence. His ability to chat and joke with his audience, added to one heart-stoppingly great song after another, put the crowd quickly into the palm of his hand.
David Mallett Keeps Songwriting Alive
Seeing David Mallett perform at the Rockport Opera House was to witness the vanishing art of songwriting, at work and going strong. In the two-hour performance, there wasn’t a weak tune in the bunch.
This live album finds David Mallett, the great Maine singer-songwriter revisiting 17 of his best songs drawn from across his 30-year recording career ranging from gems like “Ballad of St.Anne’s Reel” and “Dulcimer” to recent songs like “Artist In Me” and “Angel Standin’ By”. David is in fine form and receives excellent support from bassist Michael Burd and violinist Susan Ramsey Crippen. This album is a reminder of the superb body of work that David has produced over the past three decades and how vital a performer he remains.
- M.R., Sing Out Vol 50 #4 Winter 2007